인프런 - 라이프타임 커리어 플랫폼

Blender has a fun feature called bpy. You can control Blender using Python code. However, you can learn it even if you don't know Python code.

This is a basic tutorial to learn room isometric motion with Blender. 😁

If you have ever watched an object jump to the wrong place, rotate in a strange direction, or scale in a way that makes no sense, you are not alone. These are some of the most common beginner frustrations in Blender, and they usually come from not fully understanding how transforms, origins, orientation, and scale work together.

“Want to bring anime-style worlds to life in 3D?” - With Blender, you can create stunning stylized environments inspired by anime—and I’ll show you how! Welcome to 'Anime in Blender: Create 2 Stylized Scenes!' In this course, you'll learn how to craft two unique anime-inspired environments from start to finish just using Blender. You will get: 1. 24 Full HD video lectures with 6 hours of content and AUDIO commentary 2. All the files related to the course including .blend files, HDRIs, textures etc We’ll cover everything—from modelling and texturing to lighting and rendering—so you can bring your stylized scenes to life. We will learn how to achieve that signature anime look using shaders, lighting, and different techniques like adding Outlines to your renders. First, we’ll create a stunning anime-style rooftop scene starting with modelling the entire scene setting up the fence, building, adding the benches, ladder etc. You’ll learn how to model all the elements, adding materials, lighting and set up composition for a cinematic look. Plus, we’ll create both a daytime and a night-time variation, showing you how to transform the mood of your scene with lighting and sky adjustments. Next, we’ll build an iconic anime school hallway, modeling everything from windows and classroom doors to props like the desks, shoe racks, lockers everything We’ll also explore anime-style lighting techniques and learn how to add outlines to our renders, achieving that signature hand-drawn anime look. You'll also learn to create a variety of materials, including glass, iron, walls, reflective floors, and a lot more. Later on, we will also add a lot of small props like creating the notice boards, shoe racks, lockers etc. After that, we will also create a color variation of the Hallway Scene, allowing you to customize the mood and atmosphere to fit different style and color combinations. We will also spend some time compositing both our scenes in Blender and Photoshop using features like Glare, the Kuwahara Node, using Overlays to add those final touches to our renders. Whether you’re a beginner or an experienced Blender user looking to explore anime aesthetics, this course will give you the skills to create eye-catching, stylized 3D scenes. So, if you’re ready to dive into the world of anime-style 3D art, join me in this course, and let’s create something amazing in Blender!

Through this lecture, you can learn the basic functions of Blender, and easily learn the functions essential for interior modeling through the lecture. You can learn how to use add-ons, how to apply realistic materials, the new function of Blender 3.0, the Asset Browser, and how to implement realistic images with the Cycle rendering engine that is basically supported in Blender.

A clear conceptual explanation of Geometry Nodes, which will be the core of Blender's next-generation workflow. This class aims to cultivate the thinking skills needed to understand principles and apply them, rather than just following simple examples, so that you can fully unleash your creativity with Geometry Nodes. This is an up-to-date class conducted using Blender version 5.0. Beyond simply following examples, this class focuses on developing "node thinking"—the ability to deconstruct complex structures into simple principles and reconstruct them. Experience the essence of Geometry Nodes based on a fundamental strength that remains unshaken in any version of Blender. Experience a class filled with the insights and know-how of Runtime, who has tracked every version of Blender since version 2.8 in 2019.

We will explain the overall concept and method of working with 3D graphics using Blender.

This is a lecture for beginners that focuses more on practice than theory. You can learn Blender's menus and functions.

Blender 5: Model a Medieval Table and Finish a Story-Rich Interior Render Medieval props can look “fine” right up until you light them. In this course, you will build a hero medieval table and the surrounding research-workspace details so your final render actually holds up under lighting, close-ups, and thumbnail-size scrutiny. Hi, I am Luke from 3D Tudor. In Blender 3D: Model a Medieval Table, we will create a detailed table as the main asset, then build the supporting scene elements that sell the story: books, scrolls, wax seals, candles, cloth, windows, atmospheric dust, volumetric light, and a polished final render. This is a practical, start-to-finish workflow that mirrors real environment production: clear planning, clean modelling, sensible UVs, believable materials, controlled lighting, and a compositor pass that pulls everything together. What You Will Create By the end, you will have: A detailed medieval table (hero asset) with clean modelling and readable forms Books, scrolls, rope bindings, wax seals, decals, and candles A filled shelving setup and supporting interior elements (windows, cloth flag, background dressing) Dust, god rays, emissive window glow, and depth of field for scale and mood A final render with compositing polish, including reusable preset workflows What You Will Learn Blockout and scene scale using real-world measurements so everything feels right Clean modelling workflows: Bevel, Solidify, Boolean, Mirror, Array (and how to stop modifier stacks from fighting each other) UV mapping that actually helps: straightening for clean wood grain flow, practical unwraps for curved props Materials with purpose: wood, stone, fabric, wax (including subsurface scattering for candles) Decals and stamping workflows to add story detail without overcomplicating the mesh Lighting and atmosphere: dust particles, volumetrics, controlled beams, natural breakup Rendering and compositing: updated compositor, noise and colour balancing, chromatic aberration, vignette, AO/emission control, and reusable node group workflows Quizzes, Assignments, and Final Project To keep this hands-on (and to stop the “I understood it” illusion): Quick checkpoint quizzes to confirm modelling, UV, and lighting decisions Mini-assignments to lock in clean bevel stacks, UV straightening, and decal placement Final project render: your medieval table scene with mood lighting and compositor polish Included Resource Pack You will receive a production-ready resource pack organised for fast reuse: 27 drag-and-drop PBR materials Geometry Nodes tools for procedural placement and scene helpers Visual guides to keep scale and layout consistent Who This Course Is For Beginner-to-Intermediate Blender users who can navigate Blender, but want a full workflow that ends in a proper render Prop-makers and asset goblins (affectionate) who want their assets to look cohesive once lit together Environment artists and game developers who want a medieval interior pipeline they can reuse for libraries, wizard labs, cabins, and story rooms Blender 5 explorers who want to learn modern tools through a real project, not isolated demos Why This Course Stands Out Because we are building something that has to survive the harshest judge of all: lighting. You will not just model a table and call it done. You will learn how to make it read, how to support it with believable props, how to control mood with volumetrics and particles, and how to finish the image with a compositor workflow you can reuse on future scenes. Until next time, happy modelling everyone! Luke – 3D Tudor

Neil from 3D Tudor here. I have helped thousands of beginners push past the same Blender roadblocks, and in this masterclass you will build and animate a complete cookie factory step by step, learning modeling, texturing, lighting, and animation through real production workflows. You will finish with a portfolio-ready factory animation and a repeatable process you can use on any future 3D project.

From Concept to Render: Master Environments in Blender 4

This course is a comprehensive introductory program where you will learn various 3D character creation techniques, ranging from 2D toon-style to MetaHumans, and master the production of webtoons, animations, and cinematic videos using Blender and Unreal Engine.

This is a lecture for those who are installing Blender for the first time. You can follow along even if you don't know anything about 3D modeling.

Hello everyone, and welcome to this new course. In this course, we will go over the entire process of creating a Stylized Landscape Environment With the help of this course, you can massively increase your skills in Stylized Environment Art, as we go through multiple different aspects of it together like creating stylized grass, trees, rocks and much more We will mainly use only two pieces of software: Unreal Engine 5 and Blender, with a little bit of Substance Painter, to texture a couple of assets In this course, you will learn everything you need to know to create the final results that you see in the course images and trailers. With the help of that, you can create your very own beautiful stylized environments This course has 7 hours of content, and all the required files such as the alphas, textures, blender files, etc will be provided with the course, including the Unreal Project! We will go over every step in this course together, and nothing will be skipped. The course does not have any kind of time lapse, so you can follow every step easily The course is mainly divided into 5 sections as we step-by-step create this beautiful-looking stylized landscape. Starting with setting up the Landscape Material and Stylized Grass in Section-1, Section-2 will cover the process of creating Stylized Foliage, following up with modelling and texturing Stylized Rocks in Section-3, In Section-4 we will learn to create Clouds for our scene, creating various different variations of them, and finally ending the course with learning to create fluffy-looking Stylized Trees We will finish the course by taking some Hi-Res Portfolio screenshots along with some camera animations.

UV Mapping Bootcamp: Master Unwrapping & Texturing in Blender Bad UVs wreck great artwork—master clean, distortion-free unwrapping today! I am Luke from 3D Tudor, and UV Mapping Bootcamp distills fifteen years of texturing pain points into one focused Blender workshop. We will turn stretched checkerboards into crisp atlases, tame texel density, and build trimsheet-ready layouts that export cleanly to Substance, Unreal, and Unity. Stretched textures, popping seams, and checkerboards that slide around like budget origami can make even a gorgeous model look amateur in seconds. I have fought those same misbehaving UVs myself, so let us sort them out together and give your textures the respect they deserve! What You Will Learn The real purpose of UVs and how Blender’s editor organises them Smart UV Project versus seam-driven unwrapping—choose the right tool for the job Cube, cylinder, and sphere projections (and how to combine them) Troubleshooting: flipped normals, hidden overlaps, mip-map bleed, poor packing Consistent texel density across modular scenes, props, and characters Trimsheet workflows for bolts, vents, and sci-fi panels Texture-atlas strategy: pack more detail into fewer materials Human and creature unwrapping—ears, mouth bags, fingers, and toes without stretch Vertex-paint blending, AO masks, and curvature maps that respect your UVs Inside the Course Stage 1 – UV Concepts & BasicsWe start at the beginning—what UVs are, how they work, and why they matter. You will see how 3D surfaces are flattened into 2D space and how Blender’s UV Editor helps you control distortion. We also break down UV axes, the role of checker maps, and the difference between good and bad UVs. Visual tools and real-time examples set the foundation before moving into more hands-on workflows. Stage 2 – Auto UnwrappingHere, we speed through Blender’s Smart UV Project tool. You will learn how it slices geometry based on angles, when to use it for hard-surface models, and where it falls short (like painting or packing). We explore how the tool auto-rotates UV islands and the trade-offs of speed vs. precision. Stage 3 – Projection MethodsLearn how cube, cylinder, and sphere projections behave when applied to different meshes. We test them on primitive and subdivided models, using checker maps to identify which method works best for each shape—and when to mix them. Stage 4 – UV TroubleshootingThis stage focuses on clean geometry and solid workflows. You will learn to apply transforms, fix flipped normals, avoid mipmap bleed, and handle overlapping UVs. We also introduce Blender and Substance tools for visualising distortion, and explore padding’s role in texture clarity across engines. Stage 5 – Volume vs. Surface DensityUnderstand how surface area affects texel density. Through examples like brick walls and terrain planes, you will learn to optimise padding, scale, and UV island layout to get the most resolution without visual compromise. Stage 6 – Organic UnwrappingUnwrapping irregular shapes—like mushrooms and rocks—requires a different mindset. You will mark seams for curved objects, balance seam visibility with material flow, and test UV quality using procedural materials. Perfect for stylised or organic assets. Stage 7 – Custom Shape StrategyWhen textures need directional alignment (like roof tiles), you will learn how to unwrap cones, pyramids, and house shapes to preserve visual consistency. We also cover stylised rock unwrapping, showing how to prioritise density and flow depending on the asset’s purpose. Stage 8 – Directional Noise & FlowThis stage tackles directional textures—like wood grain—and how UVs affect their appearance. Using a stylised sign, we compare directional vs. non-directional materials, introduce the Magic UV and UV Squares add-ons, and show how to control texture flow for better realism. Stage 9 – Beveled Mesh WorkflowBevel modifiers are great visually, but difficult for UVs. We unwrap a stylised barrel before and after applying bevels, showing how early planning and proper seam placement can preserve clean UVs, even on rounded geometry. Stage 10 – 0–1 UV Space & AtlasesHere, we jump into real-time workflows. You will unwrap props like shelves, books, and plants using a single UV space. Learn how to scale islands based on asset importance, align layout to a master atlas, and balance quality with modularity. Stage 11 – Human UnwrappingAnatomical forms need care. You will learn how to unwrap hands, feet, ears, and facial features like the nose and mouth bag. We cover pinning, stretching, and isolating geometry to maintain clean seams and efficient island management for humanoid characters. Stage 12 – Vertex Painting PrepLow-res terrain or large landscape meshes need special treatment. You will unwrap them efficiently and create shaders that let you paint directly on the geometry—great for blending textures without blowing up texel costs. Stage 13 – Procedural Masks & DecalsYou will explore AO, curvature, and gradient masks inside Blender and Substance Painter. We also dive into decals for breaking up repetition and use shaders to blend in extra details where needed—essential for stylised props or terrain. Stage 14 – Trimsheet TechniquesWe end with trimsheets. You will learn to align UVs to trim patterns, bend and mirror them, and use them to quickly decorate stylised props like sci-fi crates. This technique is the crown jewel of UV reuse, giving you complex texture results with minimal overhead. Why This Course Stands Out Expect a zero-fluff blueprint that starts with a cube, scales up to characters, and ends with a production-ready asset. Every pitfall is demonstrated, fixed, and summarised—so the workflow survives version updates and engine changes. When the course ends, you will spend your time designing art, not hunting stretched pixels. Until next time, happy modelling everyone!Luke – 3D Tudor

～Simple process that lets you create cute works even with zero knowledge! ～ In this course, you can learn how to create 3D strawberry milk in blender. Why not try making your own original strawberry milk?

From those who are just starting out with Blender to those who want to build a solid foundation and learn more! I'll kindly explain the principles behind the basic functions and common mistakes. Shall we dive into the fun world of Blender together?

Let's create "Anxiety as Material" from Inside Out 2! Understand the 'working principle' simply with a tutorial-style format!

This is a 3D motion graphics course that can be completed all with Blender.

Blender Essentials for Beginners: Stop Getting Lost in the Viewport is a practical beginner class designed to help new Blender users build confident, repeatable navigation habits inside the viewport. Many beginners do not struggle because they lack ideas. They struggle because the viewport feels unpredictable. This course solves that problem by teaching the essential camera and navigation controls step by step inside a real Blender practice scene. Across 11 focused lessons, students will learn how to use the viewport gizmo, axes, and projection views, then move into the core navigation skills that make Blender feel far more controllable: orbiting, panning, zooming, framing, and quick reset shortcuts. The course also covers Fly mode, Walk mode with gravity, Numpad views, isometric angles, Quad View, and key Blender preference settings that improve orbit, rotation, perspective, and zoom behaviour. Rather than simply memorising shortcuts, students will practise these skills in a stylized miniature military signal base scene so they can develop reliable habits for inspecting objects, checking composition, and recovering their view quickly when they lose orientation. By the end of the course, students will feel much more comfortable navigating inside Blender, which makes future work in modelling, layout, lighting, and scene building far less frustrating.